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伊萨卡弦乐单簧管教授 Richard Faria

发布时间:2016-08-16 13:36   来源:兰乔圣菲音乐留学   作者:任伟博  点击:


 
与兰乔圣菲文化平台合作的伊萨卡弦乐单簧管教授 Richard Faria

伊萨卡单簧管教授,同时是一位活跃的室内乐音乐家、独奏家及教育家。他参加了无数音乐节包括本宁顿室内乐会议、巴德汉普顿斯音乐节、苹果山室内乐中心、斯格尼迪尔斯音乐节、加斯纽艾尔音乐节、土耳其卡帕多西亚地区的克莱斯克科雅佛莱尔音乐节等。他的室内乐经历包括与各种乐团合作,如“Zephyros and Sylvan”管乐五重奏,“Atlantic”、“Tetraktys”、 “Arianna”弦乐四重奏,“Composers Concordance”,“吉尔德三重奏”,“Mother Mallard”, 西雅图“Young Composer’s Collective”等。他在威尔演奏厅、卡耐基音乐厅、莫肯音乐厅、“The Kitchen”、米勒剧院、斯皮维音乐厅、史密森尼学会以及罗马和柏林的美国学会、荷兰得雷克海尔、土耳其阿波罗神庙等都演奏过。
 
 
作为“new music group Ensemble X”创立成员、他录制了Steven Stucky 的“In Shadow, In Light”、苏格兰作曲家 Judith Weir 的“The Consolations of Scholarship”,被《留声机》杂志评为“有力、熟悉民间疾苦、丰富多姿”。他曾在John Adams的“clarinet concerto Gnarly Buttons”中任独奏,还参与演奏了Thomas Adès的“ Catch, Op. 4”、“Life Story, Op. 8”, Magnus Lindberg的“Steamboat Bill, Jr.”、Anders Hillborg的“Tampere Raw”、Matthias Ronnefeld的“Sextett, Op. 2”等。
 
他积极尝试新音乐,参与了很多作曲家的作品首演,如Roberto Sierra、Steven Burke、Perry Goldstein、Joshua Kohl、James Matheson、David Borden、Yotam Haber、Diego Vega, Sean Shepherd、Josh Oxford、John Fitz Rodgers等。他在2007年ClarinetFest项目中首演了专为其创作的“the Sierra Clarinet Sonata ”以及2010年德州奥斯汀ClarinetFest 项目国际单簧管协会作曲比赛获奖作品首演。他还曾受邀在各大专业会议如 “NYSSM”、“NACWPI”、“the Midwest Clinic”等中演奏。
 
他还参与录制了Roberto Sierra: Clarinet Works (《美国唱片指南》曾评价说“这是每一位单簧管演奏者都应必备的一张唱片”)、参与了Stephen Hartke的The Horse with the Lavender Eye首次录音(《Fanfare杂志》对此评论说“Faria以他的乐器令其脱颖而出,他对作品的绝对把控和特定章节的推进令他的演绎具有极强的辨识度”)。
 
 
他曾在伊萨卡学院、密歇根州立大学、纽约州立大学石溪分校以及阿斯本音乐节、国家曲目管弦夏令营、德国施托克豪森课程班等学习,师从Michael Galván、Joaquin Valdepeñas、John McCaw、Georgina Dobrée、Dr. Elsa Ludewig-Verdehr 以及 Charles Neidich。
 
 
相关链接:
该简介英文原文网址:http://faculty.ithaca.edu/rfaria/
相关联系方式:
Phone: (607) 274-3425 E-mail: rfaria@ithaca.edu
Office: 2205 James J Whalen Ctr for Music,Ithaca, NY 14850

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Clarinetist Richard Faria pursues an active career as soloist, chamber musician, and educator. He has been a participant in numerous festivals such as the Bennington Chamber Music Conference, Bard Music Festival of the Hamptons, Apple Hill Center for Chamber Music, Skaneateles Festival, Garth Newel Music Festival, and Klasik Keyifler in Cappadocia, Turkey. His chamber music experience includes collaborations with such diverse groups as the Zephyros and Sylvan Wind Quintets, Atlantic, Tetraktys, and Arianna String Quartets, Composers Concordance, Guild Trio, Mother Mallard, and the Young Composer’s Collective in Seattle. He has performed in Weill Recital Hall, Carnegie Hall, Merkin Hall, The Kitchen, Miller Theater, Spivey Hall, the Smithsonian Institution, as well as at the American Academies in Rome and Berlin, Netherlands' De Lakenhal, and the Temple of Apollo in Turkey.
 
As a founding member of the new music group Ensemble X, he recorded chamber music by Steven Stucky (In Shadow, In Light) and by Scottish composer Judith Weir (The Consolations of Scholarship), which Gramophone magazine praised as “powerful, streetwise, colourful.”  The inaugural season featured Richard as soloist in John Adams clarinet concerto Gnarly Buttons. Other notable performances have been of Thomas Adès Catch, Op. 4 and Life Story, Op. 8, Magnus Lindberg Steamboat Bill, Jr. and American premieres of Anders Hillborg Tampere Raw and Matthias Ronnefeld Sextett, Op. 2.
 
A fervent advocate of new music, Richard has premiered works written for him by composers such as Roberto Sierra, Steven Burke, Perry Goldstein, Joshua Kohl, James Matheson, David Borden, Yotam Haber, Diego Vega, Sean Shepherd, Josh Oxford, and John Fitz Rodgers. He gave the west coast premiere of the Sierra Clarinet Sonata dedicated to him at ClarinetFest 2007 in Vancouver, BC, as well as a premiere of the winning work of the International Clarinet Associations’ Composition Competition at ClarinetFest 2010 in Austin, TX. He has been invited to present at conferences such as NYSSMA, NACWPI and the Midwest Clinic.
 
He also appears on Roberto Sierra: Clarinet Works (“a superb recording that belongs on every clarinetist’s shelf.” - American Record Guide), and the premiere recording of Stephen Hartke's The Horse with the Lavender Eye (Faria…stands out in his supreme command of his instrument, his clear identification with the projection of disjunct lines, and his sheer control." - Fanfare Magazine).
 
Richard studied at Ithaca College, Michigan State University, SUNY Stony Brook, as well as at the Aspen Music Festival, National Repertory Orchestra and the Stockhausen Courses, Kürten. His teachers have included Michael Galván, Joaquin Valdepeñas, John McCaw, Georgina Dobrée, Dr. Elsa Ludewig-Verdehr and Charles Neidich.
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